We just got finished with our second on-location shoot for MyKidsTurn.com.  This was the first stuff shot for a new podcast called Magic Spell, hosted by Jane Seward.  We shot on location at her house, which had big picture windows for lots of natural light and a warm and muted color scheme in the house.  We had two scenes, one at the bar in the kitchen, and the other on the carpet in front of the fireplace.

For the scene in the kitchen, we used two Lowel Rifa 250w soft boxes for key and fill, and a Lowel Pro 250w for a back light.  To the right of the scene was a big picture window spilling in a lot of natural light, so the combination of the blue light from outside with our warmer pro lights and the warmer colors of the interior of the house mixed very well.  I was also able to achieve a minor shallow depth of field look which I was really excited about.

For the scene on the floor we used a higher wattage light for the key, a Lowel Omni 500w with a diffuser umbrella.  We used another Lowell Pro 250w for the fill, and for back lighting we used the light from the fireplace as well as a few can lights already in room that we could aim for our purposes.

This was our second attempt at an on-location shoot, and I feel that this one went very well.  The house had a good combination of lighting, colors, and eye appeal.  We did go into Jane’s office at the end of the day to shoot an intro episode for her and did run into some problems there.  The office wasn’t very big and problems started to arise with fitting in our lights, cameras, and operators.  The shot had her moving from a desk to a high-backed chair, and we didn’t think to adjust the lighting accordingly, so she wasn’t lit as well once she got to the chair.  There were also large pictures that were hung on the wall that were reflecting our lights, so we had to make adjustments for that.

Overall though, despite our difficulties, I see this shoot as a great success. Lori came by again and took some pictures of everyone and how hard they were working. We are looking forward to more on location shoots, as well as being able to shoot outside more once it warms up.

Learning the ins and outs of video production isn’t something that you can do by just getting your hands dirty. While there is a large amount of trial and error that has to be done, it’s important to have a wide range of resources you can learn from too. Some things won’t be difficult to find resources for, though you may have to pay for good ones. Video tutorials are often the best kind of resource as you can follow along yourself and go back and watch the video as many times as you need.

Basic information about how to use the software in your video editing package is easy to find. I use Final Cut Pro Studio, which comes with Final Cut Pro, Motion, Color, DVD Pro, and Compressor. Video tutorials, tips, and tricks for these programs can be found for free on Youtube. I’m sure you could probably find videos like this for Premier Pro, After Effects, Avid, Sony Vega, and many other video editing software also.

Simple questions about lights, shooting, etc., can also be answered by free videos.  I have often referred back to many videos on Youtube about how to best light for a green screen.  Mark Apsolon, a video (and apparently coin collecting) guru has some great Youtube videos about the proper way to light a green screen, and some corners you can cut to save some money.

I took Mark’s advice and purchased a couple Router Speed Control units that I use to make my pro lights variable, and payed about half what I would have if I’d bought a proper variable control box from B&H.  So far they have worked out great.

Sometimes though it is better and easier to pay a little bit of money for proper video training courses. Two websites where you can find quality video tutorials that I know about are Ripple Training, and Lynda.com. While I’ve heard good things about Ripple Training, I personally haven’t seen what they had to offer, and don’t know what their pricing structure is like.

Lynda.com is a great resource for lots of programs out there, not just video editing. They bring people in from the field who are real experts in their respective software. Rick Allen Lippert is the expert they brought in for the latest Soundtrack Pro training. Rick is either one of or the only person in the state of Oklahoma who is a certified Final Cut Studio Master Trainer. He also was the instructor at the Final Cut Pro training I went to this past January. The guy knows his stuff.

What I like most about Lynda.com is the sheer amount of hours of training it provides. On a program like Final Cut Pro, there will probably be 6-8 hours worth of video training just for beginner level editing, and that’s for every time a new version comes out. But you don’t have to sit there and watch it an hour at at time. They section it off into no longer than 10 minute chunks that have detailed descriptions and are organized very well, making it easy to find specifically what you need to learn.

All of this for $25 a month. In my opinion, that is a well justified and very useful expense.

I’ll periodically drop in other blog posts about additional resources that I’ve found. If you’ve heard of or use any video resources please feel free to comment below.




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I shot  a few episodes of the podcast Learn, Grow, Bloom for MyKidsTurn.com today.  Jodi Case, the host of LGB brought in a bunch of outdoorsy type stuff (leaves, sticks, pinecones, etc.) for props, and even showed how to make a worm farm!  LGB is a podcast for parents of very young children, but hey, worms are cool.

The resident ESSDACK photographer, Lori Fast, dropped by to snap a few pictures.

One of the biggest challenges that I’ve had since I started working with video has been my time in Motion.  It occurred to me early on that by simply adding an intro of some kind for the MyKidsTurn.com podcasts, we could make them look much more produced and professional.

I started out trying to do some very basic motion in Final Cut, until the Motion Master Templates were pointed out to me.  Those are basically templates for intros, bumbers, transitions, etc. that came with Motion and are integrated into Final Cut Pro (This probably only comes with the full Final Cut Studio, not the stand-alone programs)

I started looking through the templates in Motion to see which ones looked like they might match any of the shows for MyKidsTurn.com.  I found a template called “Snap” which I thought would work great for the Great Games Better Brains podcast.  I used an audio loop from GarageBand for the music, and made some minimal changes to the template.  Below is the template I started with, and the final product.

Overall I’d say that what I did here was much easier than starting out creating something from scratch, considering my current lack of ability in Motion.

If there is one thing that I’ve learned since I delved into the video world, it’s that video equipment is expensive. We use a Panasonic HVX200 camera in the studio, as well as a few DVX100s occasionally, and both of these models are held by the hand, not rested on the shoulder. There have been a few times where a shoulder mount would have been perfect, but the cheapest ones I’ve seen was over $150!

I did some research and found examples on places like instructables.com where people fabricated their own shoulder mounts. They had differing levels of sturdiness and complexity, but all were DIY, and at very low costs.

We took a few notes, sketched out a rough idea of what materials we needed, and Jerry and I went to the hardware store.


Materials
1/4″ x 2″ aluminum
3/8″ x 5″ carriage bolt
3/8″ acorn nut
Square camera shoe
Rubber pipe insulation tape
3/4″ PVC pipe

We used a door jam to bend the aluminum to fit the shoulder. For the handle, we used a carriage bold with PVC pipe around it, with an acorn nut to tighten it down. The act of tightening the carriage bold clamps down on the PVC pipe, making sure it doesn’t go anywhere. To mount the camera, we used a camera show we had lying around. We used the rubber pipe insulation tape to wrap around the handle and for shoulder padding.

There are a few changes or additions I might make to this now that it’s built, but for $10 in materials and 2 hours time, this project was a definite success.

If you want more information, post a comment and I will get back to you.

I got back to work today after my 5-day Final Cut Pro training in Oklahoma City last week. My coworkers welcomed me back warmly and many of them asked me: “Did you learn anything?”

“Yes,” I replied, but then followed with: “And I also learned how much I don’t know.”

That’s one thing that I keep running into as I’m learning more about video production and editing: an answer leads to more questions. I’ll discover or figure out something that’s been stumping me, only to find 5 more I have to learn.

Here’s an example. I had a great instructor for my Final Cut training, a video professional by the name of Rick Lippert.  Not far into the training, it became apparent to me that Rick kind of knew what he was talking about.  Not only did he train the class on Final Cut Pro, but he also introduced us to Soundtrack Pro and Motion, two programs that come in Final Cut Studio.  After spending a few minutes making a five-pointed star move, spin, and twist, I felt rather proud of myself and decided that this was another program I really needed to get myself acquainted with.  After the training was over, I feel much more confident with Final Cut, but now I want to learn the other programs that come in Final Cut Studio.

Believe me though, it’s not going to be quick or easy.

This is a screenshot from Color.

Pretty spooky huh?

This definitely seems like a program that you’d cry yourself to sleep after using it.

 
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